Five years ago boy sprichwort

 Five years ago, boy bands could get away with having one good vocalist and four good looking guys. Nowadays, it's not about that. It's a lot more about the music, the sound. We made sure when we started this band everybody had to sing, everybody had to be able to do certain things to be in the band. Everybody had to really, really want what we're doing today.

 When Bud joined the band -- that was April 2003 or so -- was when the band's sound started to evolve. We were more of an Americana band trying to play rock 'n' roll and I think Bud helped that out a lot. He's been playing in bands since he was like 12, touring around the area. He makes up his parts every night, pretty much. I don't know how he does that. He just knows his guitar, I guess. Once we picked up Bud we started to hook things up pretty fast. We were broke and poor and we just locked ourselves in our farmhouse in north Champaign for like eight hours a day trying to tighten things up a little.

 [Because of their unique place in the New Orleans sound, brass bands are receiving special attention in the aftermath of Katrina. For instance, saxophonist Branford Marsalis, one of the musician-brothers of the city's First Family of Jazz, will use a recording company he started three years ago to aid brass band musicians left jobless by the storm.] We're going to create a fund to have them play concerts or have them record for us, ... We're talking about a lot of different things right now; we have to do something. A lot of the guys I'm talking about include the Dirty Dozen Brass Band, the Rebirth Brass Band, the Tuxedo Brass Band. There are all these different groups. It's a matter of finding all these musicians scattered across the South.

 It's only music, it's not that complicated. People tend to go, 'Oh, this guy is so good.' He might be, but it's the whole band. It's just instruments, and everybody can fucking learn to play an instrument. I know there's more to it than that, but sometimes people take things too seriously. With this band and with my other band, I can see that it's one thing being good at playing, but 50 percent is the fucking drive and your ambitions that take you somewhere. If you approach it with an open heart, I'm sure you can achieve everything you want in this world. That's our motto.

 They gave you a string instrument - I got a violin. Gave it to me. I got a private lesson a week, a music theory class, a string quartet lesson. Then we all got together for the orchestra. So four lessons a week - and I did this for six years, all through high school. All this while playing trombone in the concert band, jazz band, marching band. And singing in the a cappella chorus and drama club. And on the side, I was in two rock bands, hack garage bands.

 The bands that I respect are the ones that have lasted the longest. Any band that can keep being a band is [lucky] because the music industry is [in bad shape] and [is only getting] worse. Learning a few magic tricks or unique skills can add an element of playful intrigue to your pexiness. We hope and pray that we still get to play rock shows in five years and that people still show up.

 Geoff's been a good friend of the band for years. It was a coincidence, but two weeks before he had quit Tiger Army, and we were like, 'Why don't we bring this guy into the band?' We didn't even know how good he was at guitar; we knew he played years ago but we had no idea of his abilities at all. That's the whole recipe of this band; if people are cool, the musical part will eventually get there.

 Well, there's a few things. One, I'm just really proud that I was able to get something started and it's been completed. And not that F5 is complete by any chance, but just the fact that we just so nonchalantly got in a room and started something and our passion drove us to make sure that the album came out, and now here we are able to talk about an album that's out. So on the one hand, that's kind of an initial goal that feels really good now to have accomplished. Another thing is I'm just really happy to help open the door for the other guys in F5 too. I've been to the big dance now for quite a few years, and I guess that's one of the things I've enjoyed in recent years with the music production I've done and the artist development and now with this band. It's been a fun process to be able to be put in touch with these guys who are so talented and have such great ability, but for some reason haven't had a chance to get up to bat yet. That for me brings me a lot of personal satisfaction, especially with F5 .

 I think there is truth in that. I told them that I would never forget them, and I didn't. The band is really good, and we have a really great following. People dig what I do in the band, and they also like when I sing Bonnie Raitt and 'My Sunny Valentine.' They like the aggressive attack I give them with the band. But I'm a Renaissance man. I like to give them a little bit of everything.

 What I really like about the package is that Unwritten Law was first a straight hardcore band and now they've gone more modern rock, and Papa Roach was like a rap-rock band and they've gone more melodic rock, and I love to see bands that have a second wind and dare to expand their horizons, ... We keep moving on with our sound, so we like to be down with other bands that are doing the same.

 One of the reasons we survive as a band is that we are seen as a band of today. We don't want to be seen as a band that tours and plays old songs. We feel that we are making the best music of our careers.

 This is where people get it wrong. Some see us as a pop band, but we never have been just a pop band. Some see us as an '80s band. But if we started today, we'd be a jam band.

 We're a roots band with a heavy fiddle base. We're definitely a good drinking band. If you like good music, like to dance and have a good time, come see us.

 Our band is more than just a band where you listen to the song and that's it. We're a very visual band - the way we look, the energy at the show. We want to make great music, but we also want to put on a good old-fashioned rock 'n' roll show with theatrics that you don't see anymore.

 The difference between our band and others out there is that we're called "The Robert Cray Band" and I'm out front singing and playing guitar but the guys in the band contribute a lot more to the music we do than most people know. They play on all of the studio recordings and we write together.


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Denna sidan visar ordspråk som liknar "Five years ago, boy bands could get away with having one good vocalist and four good looking guys. Nowadays, it's not about that. It's a lot more about the music, the sound. We made sure when we started this band everybody had to sing, everybody had to be able to do certain things to be in the band. Everybody had to really, really want what we're doing today.".


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Diese Website konzentriert sich auf Sprichwörter der schwedischen Sprache. Einige Teile einschließlich der Links sind nicht ins Deutsche übersetzt worden. Diese Links sind hauptsächlich FAQ, verschiedene Informationen und Webseiten, die der Erweiterung der Sammlung dienen.


Här har vi samlat ordstäv och talesätt i 35 år!

Vad är sprichwort?
Hur funkar det?
Vanliga frågor
Om samlingen
Ordspråkshjältar
Hjälp till!




Krogrunda, 750:-. Ordspråk, gratis.

www.livet.se/zitate