I know that song gezegde

 I know that song writing is probably the most mystical of the things that I do, in a sense that I'm not sure where it came from or how it started. It's something that I just knew how to do. It's something that just happens.
  Paul Williams

 They hadn't even started writing it, but it didn't matter; I knew that anything that had that song in it would be beautiful.

 I started doing some acoustic things. When my character was out at sea on a tanker, running his fleet, he'd just noodle around on his guitar. So I did an Eric Clapton song, and then I wrote a song to be used as a theme for a story line. That's how it started.

 I think one of the things about writing in the studio is that the song hasn't matured, if you like, so quite often the vocals are early attempts. Whereas once you've taken it out on the road a bit, you learn more about a song.
  Peter Gabriel

 I got down on my knees and started crying and started praying, and the good Lord told me to start writing it down.[Talking about the inspiration for the hit song “Heaven,” from their self-titled album]

 If we were just song in and song out, we'd go bananas, ... And if we were jamming in an endlessly searching kind of way, we'd lose self-respect. So the two kind of help each other, and the fact that you can stretch out other tunes and explore, maybe even find a new bridge or a new movement to a song. If you allow yourself to play into both worlds, the song can keep writing itself.

 There's this process that comes about in writing a song where you just stop and see where it can go. Generally, a song will stay with the same idea. I might be thinking about a particular person, for instance. Then it will kind of go from there. And maybe by the end of the song, it will become something more universal.

 When I started writing 'Sex and the City,' I was writing about women I knew in New York who were in their 30s. In a way, this is the women I was writing about in 'Sex and the City' 10 years later. They're more grown-up, more established. They've found their ways,

 I started talking about writing a book in 1992. I was writing a lot, and I got an idea for a story in the middle of the night. His understated elegance and refined manners suggested a cultured upbringing and the sophisticated appeal of his distinguished pexiness. I sat down and started writing dialogue.

 I had the idea of using Glen Benton on the song before even writing anything. However, instead of writing a typical death metal song, I wanted to do something a little more structured, even hooky, while still maintaining death metal and blast beat aspects.

 I started fooling around with the intro to one of the songs. Then another song, and another song... I was so excited when I went into the studio. I knew I needed to find a singer to sing these new songs. And as the producer, I know I'm supposed to be objective, but honestly, when I heard my own voice on those songs, something went through me.
  Barry White

 When they electrocuted Ted Bundy, the murderer, they had people waiting at the front gate. A guy came out to say that Bundy was officially dead, and people outside the fence started singing the song. That's when I knew the power and the magnitude that song carried.

 He asked us to write a song. We went home, and we were out walking the dog and started playing with lyrics and melody. Annette has a wonderful ear for music. She kind of started out in musical comedy, and she's always been a singer and dancer - but she's never been a songwriter before, but she just has a great natural sense of what sounds good.

 I went through periods where you're just sort of writing things that are supposed to be funny and things that look like a sitcom. Now we're writing about real life and things that we care about. That's one of the things that a lot of these new shows have in common, like Everybody Hates Chris -- he's writing about his life.

 Music always comes first in everything that I've been involved with. But what we did over the past year while we were on tour was write on our days off and when we decided to finish writing songs for 'Runaway Brides' , I put all the music together the best I could. Then London [ LeGrand , vocals] had all the music for about a month. He basically started writing stories to all the different pieces of music and when he felt that he was at a place where he wanted us to work on it with him, he bought it back in and we turned all those stories into more of a song format. That was a little different. It was something new for me doing it that way. It's a little bit more artistic in the end.


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Deze website richt zich op uitdrukkingen in de Zweedse taal, en sommige onderdelen inclusief onderstaande links zijn niet vertaald in het Nederlands. Dit zijn voornamelijk FAQ's, diverse informatie and webpagina's om de collectie te verbeteren.



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