I think that is an accurate comment. Our re-version of 'Paid in Full' placed the remix as a cornerstone of electronic culture. In our restlessness, we may have contributed something useful to pushing things on. There is a kind of tennis match that goes on between America and the UK, with London being a cultural nexus: [The UK is] constantly looking for things to take in and mutate, polish and sell to the rest of the world. We are good at doing that. |
Of course. The industry attitude has often been: 'Into the blender with the lot of you, we know how this works.' Remember when they told us we had to change our name? They said it was 'too 1980s' and that we wouldn't survive unless we ditched it. |