26 ordspråk av Bennett Miller

Bennett Miller

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(Capote) got everything he wanted. He got absolutely everything he wanted, and in so doing, he destroyed himself.

Capote is one of those people who represents something larger than himself. I think that his ambition, his kind of success, and the downfall that followed are very contemporary.

Capote was an enormously and dangerously ambitious, talented, conflicted guy who really concealed himself from the public. He was at once a very public figure and a very private figure. And this is a movie that sort of peels back the public mask and gets into the heart of darkness.

He can't put on a uniform and go to work. He cannot be conventional. But you can see in the movie -- he has a very positive and optimistic attitude, though there is evident frustration and anger.

He was my only choice. Danny wrote me this great letter, basically saying, 'What else do we want...other than three old friends [making] a film together?' He's right, and it was a very good script.

He was the only choice. He was going to do it or we weren't going to do it.

He was the only choice. He was going to do it or we weren't going to do it. I've known Phil for 21 years now, and I feel I know him inside and out, and other than him being an incredible actor, a shaman-like actor, I will say that everything in this movie that gets revealed through this character are things that Phil knows.

He works himself into states of crisis and distress, worrying that people are going to know he is a fraud and that his career is over.

He'd done lead in two other movies that didn't ever catch on. I think he wanted to be more involved and help apply some of the lessons that he'd learned.

I cry [in movies] when people do good things.

I know literary figures aren't necessarily an easy sell for mainstream audiences. But he represents something bigger than himself. He's an American triumph and tragedy.

I think the film aspires to do what is often the domain of a novel, which is to express something that is not explicit in life. It's about someone who wants something so bad that he's insensitive to what he's trampling on.

I wanted everything to be a stark look. I don't know how many actors would agree to do a film without makeup. Philip loved the idea.

It feels good. It really does. It feels good because you want the film to have a life. You want it to put its roots down and become a fixture of the culture, and these are indicators that the film will last and that it will reach people and that's what you hope for, so I'm really pleased about it.

It was the perfect gift for Perry, who saw himself, like Thoreau, as an outsider persecuted by society. It made him feel good about himself, which is just what Capote wanted.

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